Portraits of Britain

Portraits of Britain is a new contest created by the British Journal of Photography. Here is the final shortlist, and the winners will be announced very soon. All the best images will be published in a book.

Gavin Li, Portrait of Britain 2018

David Cummings, Portrait of Britain 2018

Dan Wood, Portrait of Britain 2018 

Paul Wenham-Clark, Portrait of Britain 2018

Greg Woodward, Portrait of Britain 2018

Greg Funnell, Portrait of Britain 2018

Sarah Lee, Portrait of Britain 2018

Inzajeano Latif, Portrait of Britain 2018

Stephen Iliffe, Portrait of Britain 2018

Reform and Dreams – Kings Cross

A brand new free photography exhibition celebrating the 40th anniversary of China’s Reform and Opening up will launch on Monday 10 December at London’s Kings Cross Station.   Commissioned by the China International Culture & Image Communication Corporation “Reform...

How do you photograph fracking?

Since September 2018, photographer Rhiannon Adam has been documenting individuals on both sides of the fracking debate. For Adam, listening to an individual’s story dictates how she photographs them. Her ultimate aim: to redirect the narrative away from the singular...

ON1 Photo Raw 2019 is available.

ON1 Photo RAW 2019 – An All-New Photo Editing Experience Now Available   ON1, Inc announces that ON1 Photo RAW 2019, an all-new photo editing experience and a major upgrade to ON1 Photo RAW, is available today. ON1 Photo RAW 2019 includes all-new features and...

Portraits of Humanity. Judging Panel announced.

  1854 Media, publisher of British Journal of Photography, together with Magnum Photos have announced the international judging panel for PORTRAIT OF HUMANITY  The judging panel of Portrait of Humanity is comprised of international industry leaders, from curators,...

Alys Tomlinson EX-VOTO

Alys Tomlinson, Sony World Photographer of the Year 2018, is to publish a book of her acclaimed series Ex-Voto. Selected from over 300,000 entries, she is only the second British photographer in the award’s history to scoop the major prize. The Ex-Voto series was also...

Juries announced for the 2019 Sony World Photography Awards

The World Photography Organisation is delighted to announce the juries of the 2019 Sony World Photography Awards, the world’s most diverse photography competition. To mark the occasion, a selection of entries to the Open competition are released, and the Chair of...

Portraits of Humanity

Sony World Photography Awards launches its 2019 edition with new categories and announces latest Sony Grant winner      The World Photography Organisation today opens the 12th edition of the Sony World Photography Awards, the world’s most diverse photography...

Sony World Photography Awards

Sony World Photography Awards launches its 2019 edition with new categories and announces latest Sony Grant winner      The World Photography Organisation today opens the 12th edition of the Sony World Photography Awards, the world’s most diverse photography...

Les Rencontres d’Arles 2018. Robert Frank

Robert Frank, one of the best photojournalists of all times, is exposing in Arles until September 23rd   Frank was bormber 23rd.n in Switzerland. His mother was named Rosa Franks and his father was named Hermann Frank. Robert Frank states in Gerald Fox's 2005...

Moon Eclipse. July 2018

Altinay Dinc Raul Cacho Oses Immo Wegmann Paul Gilmore Paul Bulai

B&W Artisan Pro just got updated to version 1.2

B&W Artisan Pro is an intuitive and easy to use Photoshop panel for advanced editing of B&W photographs, with powerful local adjustments features. Designed and developed by multi-award winning photographer Joel Tjintjelaar, whose signature style B&W photographs have inspired many photographers worldwide, to emulate his style.

With this panel Joel unlocks his advanced B&W editing techniques to a larger audience without the need to acquire the technical knowledge and years of experience, necessary to create high impact B&W photographs.

New Features



If you also struggle with halos and fringes around edges when masking objects – buildings specifically – even when you thought you just created the perfect mask and especially when pushing the contrast more than normal then v1.2 will give you a smart solution through 3 new ‘Load and optimize mask’ presets.
This new feature will eliminate annoying fringes/halos substantially, or, depending on the quality of your mask, completely. This takes place by applying an optimization automatically when loading a mask via the ‘load and optimize mask’ preset in the panel. And no pixels on the edges will be deleted, blurred, cloned, smudged or manipulated otherwise, as the optimization takes place before using the mask in an adjustment or a background replacement for example.
Have a look at the comparison photo above and the video with the optimization feature. Getting rid of halos around the edges of a building with the push of a button is actually easy, but the panel can do the same with the fringing on the intricate and very small cables on a panorama shot of the Brooklyn Bridge (see photo) and just as easy with leaves and branches of trees. But that’s just a small part of the new features I’m introducing.

Elementary tasks, such as accurate and subtle darkening of local areas, are enabled by quick, free-form selections with a lasso tool, and then clicking a single preset that triggers a sequence of sometimes more than 100 custom-built steps. Local adjustments have never been faster and more intuitive than this.

Add to that features such as Local Micro Zone adjustments to easily isolate and adjust tonal details, also with fast carefree selections, B&W fine-art conversion presets, smart Mask Optimization to prevent fringing (v1.2) or adding subtle split tones using a unique method, and this panel becomes a must-have for the B&W artist who prefers creativity to complicated technical features.


Besides the already existing option to create 8 light, 8 dark and 3 mid-tone luminosity maks. It is now also possible to create 16 half luminosity masks for more tonal control.


The following presets are custom built presets, each one of them consisting of a sequence of various custom built and accurate adjustments I apply also in my own black and white workflow.

Fine art subtle | Fine art dramatic | Architecture subtle | Architecture dramatic | Neutral conversion | Low-key conversion | High-key conversion | High Contrast conversion | SE 1 | SE 2

A Free version of the panel is also available from the BW Vision website. It has fewer functionalities than the Pro version, but it will let you discover the power of this really good tool.

Final Thoughts

Again a really good Black & White conversion panel. For thise of you that have experience in using  film enlargers, it will remind you how to create perfect dodging and burning.  For a $35.00 | €28.45 list price, it really is a best buy.


New Aurora HDR 2018 update.

New Update to Aurora HDR 2018 Brings New Tools, Improved Performance, and Loupedeck+ Integration

Aurora HDR 2018 is now up to 2x and 4x faster on MacOS and Windows computers, respectively, and is now compatible with the brand-new Loupedeck+ photo editing console.

Skylum Software today released the latest update to its award-winning photo editing software, Aurora HDR, bringing improved performance, new features, and updated tools to both MacOS and Windows versions. Aurora HDR is now faster across the board with a massive boost in performance on both Windows and MacOS computers. Specifically, performance on MacOS computers is up 180% when working with bracketed shots and 175% when working with single images. On Windows computers, Aurora HDR is now 500% faster when working with bracketed shots and 400% for single images. Aurora HDR also makes better use of memory, with more intelligent management and improved stability.

“The team at Skylum has worked incredibly hard behind the scenes to bring massive speed and performance improvements to the Aurora HDR 2018 update for both MacOS and Windows computers. Combined with the support for recently-launched Loupedeck+, photographers who use Skylum’s products will be able to edit photos more efficiently than ever before. The faster photographers can import, process, and edit their photographs, the more time they can spend in the field or studio capturing shots,” said Dmitry Sytnik, Co-founder and CTO at Skylum.

Windows users, in particular, receive a new batch processing tool, bringing it more in line with its MacOS counterpart. Windows users get a refreshed interface, the ability to rename layers, histogram functionality in the tone curve filter, improved dodge and burn stability, and a flip/rotate tool. 

On the flipside, Mac users receive improved plugin stability, increased export speeds, and improved memory management when batch processing images.Aurora HDR 2018 has also added support for more than a dozen new cameras. The full list includes: 

  • Sony A7 III
  • Canon EOS 3000D / Rebel T100 / 4000D
  • FujiFilm X-H1
  • FujiFilm X-A20
  • FujiFilm X-A5
  • FujiFilm X-E3
  • Olympus E-PL9
  • Panasonic DC-GF10 / Panasonic DC-GF90
  • Panasonic DC-GX9 / DC-GX7MK3
  • Panasonic DC-TZ200 / DC-ZS200 / DC-TZ202 / DC-TZ220 / DC-ZS220 / DC-TX2
  • PhaseOne IQ3 100MP Trichromatic.

Skylum also announces a partnership with Loupedeck to bring support for the brand-new Loupedeck+ photo editing console. Now, users can quickly process photos in Aurora HDR using physical dials, knobs and keys. “With similar goals to make the photo editing process more creative, intuitive and efficient, Loupedeck is thrilled to partner with Skylum on our journey to launch the Loupedeck+ editing console,” said Mikko Kesti, Founder and CEO of Loupedeck. “We’re confident the support of Skylum’s editing products will further enable today’s photographers to enjoy enhanced editing experiences and we look forward to continued delivery on this mission moving forward together.” The updated Loupedeck+ console features improved build quality, updated mechanical keys for a more precise feel, two customizable dials, and an all new “Custom Mode” that allows users full control of all dials. 

“Skylum and Loupedeck share the same vision,” said Skylum CEO Alex Tsepko. “We want to help photographers create great photos, differently. When I discovered that the new version of Loupedeck keyboard is coming out, I knew Skylum software should be the first to support it. This is the kind of innovation modern photographers really need.” 

Loupedeck is the only photo editing console custom-built to improve the Adobe Lightroom and Skylum Aurora HDR experience, with an intuitive design that makes editing faster and more creative. It allows both professional and amateur photographers to improve the ergonomics of editing, comfortably increasing output. Loupedeck’s hands-on and highly intuitive console minimizes the use the mouse and keyboard, and it works seamlessly with Apple and PC operating systems.

Headquartered in Helsinki, Finland, Loupedeck was founded in 2016 with a highly successful Indiegogo crowdfunding campaign that exceeded its original target by 488 percent. For more information, visit www.loupedeck.com.

Use the coupon code “SHADESOFGREY” for a $10/ €10 immediate discount.

Before / After

Memoria by James Natchwey.

“I have been a witness. A witness to these people who have been taken everything – their homes, their families, their arms and legs, and until the discernment. And yet, a thing that they had been subtracted, dignity, this irreducible component of the human being. These images are my testimony. “

James Nachtwey

Conducted in close collaboration with James Nachtwey and Roberto Koch, this exhibition is the largest ever retrospective dedicated to the work of the photographer. Through his look, it proposes a remarkable reflection on the theme of war, the scope of which is necessarily collective.

Ten-seven different sections constitute the route of exposure, forming a set of nearly two hundred photographs. They offer a broad panorama of the reports the most significant James Nachtwey: El Salvador, the Palestinian Territories, Indonesia, Japan, Romania, Somalia, the Sudan, Rwanda, Iraq, Afghanistan, Nepal, the United States with among others a singular testimony of the attacks of 11 September, as well as of many other countries. The exhibition ends on a news story dealing with immigration in Europe, today more than ever a topical.

It brings together as well the photographs of the one that can be considered as the photojournalist the most prolific of these last decades, an observer exceptional of our contemporary world and probably one of its witnesses the most perceptive.

James Nachtwey, whose career is marked by numerous prizes and awards in a variety of areas, is globally recognized as the heir of Robert Capa. Its moral force and its social commitments and civilians were led to devote his entire life to the Photograph. Sudan, Darfur, 2003 © James Nachtwey Archive, the Hood Museum of Art, Dartmouth


It captures the most extreme conditions of human life – which do not take that too often the forms of hell on earth – thus the witness epic in the cruelty of the war. It has continuously been to photograph the pain, injustice, violence, and death. But for that it never is forgotten the suffering and loneliness human, it creates images of a dizzying beauty, spotlessly framed and informed, and to the effects quasi-film. The extraordinary beauty and infinite tenderness which emanate from are all means to fight and resist.

In a posture always compassion, it captures scenes and contexts: in Bosnia, in Mostar where a sniper aims through a window, famine in Darfur, the sick of tuberculosis or even the terrible effects of Agent Orange in Vietnam. Among its images the most emblematic, we think immediately to which represents a young boy of Rwanda, a survivor of a concentration camp Hutu, the face Scarface. Also Come in mind the photographs of the second intifada in the West Bank, where Nachtwey was then in the first line. It depicts the war since 40 years, showing without detour the fate of the populations that are the terrible experience. As of September 11, 2001, when the war reached “at home,” on American soil, during the attack on the twin towers, followed by the war in Iraq and Afghanistan. The images of James Nachtwey reveal humanity mutilated by the violence, devastated by disease and hunger, a tolerance which, by nature, seems to go astray.

“I wanted to become a photographer to enter the war. But I was pushed by the natural feeling that an image that would expose without detour the true face of a conflict would be, by definition, a photograph anti-war”.
James Nachtwey

Bosnia and Herzegovina, Mostar, 1993 © James Nachtwey Archive, the Hood Museum of Art, Dartmouth


JAMES NACHTWEY The duty of memory

“The memory is an essential thing that we have to imagine the future and prevent the errors of the past. Through his photographs and his words, James Nachtwey reminds us that if we are unable to the remembrance of the past, we will be condemned to perpetual its repetition.

For nearly forty years, James Nachtwey photograph the pain, injustice, violence, and death. This death if particular which knows neither the fullness of old age or the heat of the loved ones, but who has the eyes of a child, the emaciated hands of a woman or a man’s face that poverty has ravaged. What the fact Hold, costs that, within this “grieving community” that form our human condition. In this maelstrom of “eternal pain,” it is this belief infallible that the photojournalism, in what he has led, can still influence public opinion, as the first milestones in a history book that would remain to write.

Born in Syracuse in the State of New York in 1948, James Nachtwey grew up in the 1960s. Its eyes are a flood of images of the Vietnam War and marches for the civil rights. Quickly, he feels how vital it is to testify and, through its work, it, therefore, commits to combat the hypocrisy, which if we often, in fact, divert our gaze, as much as our conscience. The reportage in Romania, which follows the fall of the Berlin Wall and the collapse of the USSR, marks a point of no return. The doors are starting to open. As those of a hell on earth, an orphanage where a dramatic crime against humanity had to be committed. The painful reality the spoiled up to the marrow: “I wanted to flee, I did not want to watch later. But it had become a test. Had to do I steal or well assume full responsibility to be there, with my photographic camera?”.

These glances panicked, seized in a massive plan, occur as infernal circles. For example, the famine in Somalia, “where the deprivation of food is used as a weapon of mass destruction and, where, since the middle of the year 1992, epidemics and hunger have caused the death of more than 200 000 people”. Sudan also, devastated by war and famine, as well as the Bosnia in 1993, Rwanda in 1994, Zaire or even the Chechnya. The objective of James Nachtwey also aims poverty in India and Indonesia, the scourge of AIDS, the drug or tuberculosis, but also the acts of love of the relatives who remain at the bedside of patients.

Then comes September 11, 2001. The war, which had not affected the more prosperous part of the globe since sixty years, returns to the West. This history to mark a new turning point. Nachtwey documents the wars that ensue in Afghanistan, Iraq, and that recall the errors of the past bitterly. His compassion inspired him an unfailing sense of empathy toward those who suffer, populations traumatized by the earthquakes, like in Nepal, in Haiti or Japan, and by the tsunami that struck Indonesia. Then it coexists with the terrible contemporary tragedy of migrants in Europe, among us, where hundreds of thousands of people are forced to flee to try to survive in an elsewhere that they imagine a land of hope and the home.

Nachtwey writes: “My photographic work is linked to the human instinct, the one who wins when the rules of the Civilization and the socialization fly in brilliance. At this time, the law of the jungle takes over. Violence and land claims are then needed, spoofing with them their batch of cruelty, terror, and suffering, but also a spirit of ancestral survival. It is a dark mechanism and frightening, and I am trying through my work to make a share of spirituality. Essentially the compassion.”

A COMPASSIONATE GAZE is a look of knowledge, conscience, and memory: the only possible antidote against this obscure scope, this heart of darkness that takes its horrific load by the yardstick of what the whole man is capable. We look at the images of Nachtwey, and we know now: we cannot forget ever again. ” Roberto Koch Co-Commissioner of the exhibition New York, 2001

© James Nachtwey Archive, the Hood Museum of Art, Dartmouth



James Nachtwey is born in 1948 in Syracuse in the State of New York (USA). He studied the history of art and political science at Dartmouth College from 1966 to 1970. In 1976, he worked as a photojournalist for a newspaper in New Mexico and then, in 1980, he moved to New York as a freelance photographer for various magazines. It is from 1981 that James Nachtwey will devote themselves entirely to photograph the war and social unrest Major. It covers the conflicts in the world, convinced that the awareness of the public remains essential to cause the change, and the photographs of war disseminated by the media can trigger a real consciousness to act in favor of peace.

In Europe, it documents the breakup of the former Yugoslavia, the war in Chechnya and the civil unrest in Northern Ireland. In Africa, it photography the genocide in Rwanda, the famine which becomes a “weapon of mass destruction” in Somalia and Sudan and the struggle for the Emancipation in South Africa. It documents the civil wars which gobble up Central America in the years 1980, El Salvador in Nicaragua in passing by Guatemala, as well as the invasion of Panama by the United States. In the Middle East, it covers the conflict Israeli-Palestinian since more than twenty years as well as the civil wars in Lebanon and, more recently, the war in Iraq, where a grenade explosion wounded him. It begins to work in Afghanistan during the years 1980, photographing the resistance in the face of the Soviet occupation, then the Afghan civil war and the offensive against the Taliban in 2001. In 2010, he shot military fighting Americans in the Helmand, Province in the south of Afghanistan. Elsewhere in Asia, it documents the guerrillas in combat in Sri Lanka and the Philippines as well as the bloody repression military against demonstrators in Bangkok in 2010. It has recently testified to the refugee crisis in Europe, the earthquake in Nepal and the “war against drugs” to the extrajudicial Philippines.



James Nachtwey covers the social subjects throughout the world with dedication always equal. The homeless, drug addiction, poverty or even the crime and industrial pollution are among the main subjects that it has widely photographed. Since the beginning of the years 2000, he has a great interest in health issues across the world, in particular in the developing countries, attesting to the ravages of diseases which the devastating effects affect a more significant number of people than the war. In 2007, he received the price ted for its global campaign to raise awareness of tuberculosis, based on its belief that the collective consciousness can encourage research, facilitate the financing, mobilize donors and motivate the political will. Many distinctions have been the crowning glory of his career as a photojournalist, but also to reward its contributions to the art and humanitarian causes. In 2001, he received the Common Wealth Award. In 2003, he got the price Dan David and, in 2007, the Heinz Family Foundation Award. In 2012, he is a laureate of the cost of peace of the city of Dresden for the whole of its reportage carried out for more than 30 years on all the conflicts of the world. In 2016, James Nachtwey obtains the price Princess of the Asturias.

He won five times the Robert Capa Gold Medal, for his courage and his exceptional work. It receives the title of the photographer of the year on eight occasions; the first price of the World Press Photo Foundation on two events; the Infinity Award in photojournalism three times; the price Bayeux-Calvados of war correspondents on two occasions and the price Leica on two occasions. Rewarded by the Overseas Press Club, by the time Inc., and by the American Society of Magazine Editors, it also receives the Henry Luce Award, the price of the foundation of Leipzig for the freedom and the future of the media and the cost of world citizenship Dr. Jean Mayer. In 2001, war photographer, a feature-length film documenting the life and work of James Nachtwey, is nominated for the Oscar for the best documentary. His books include deeds of war and hell.


The photographs of James Nachtwey are included in the permanent collections of the Museum of Modern Art and the Whitney Museum of American Art in New York, the San Francisco Museum of Modern Art, the Getty Museum in Los Angeles, the Boston Museum of Fine Arts, the National Library of France or even of the Center Pompidou. Its images have been the subject of numerous personal exhibitions in the world. It has been invited to present his work at several international events, including the TED Talks, the Conference Bill and Melinda Gates Grand Challenges, the Pacific Health Summit, the World Conference on Tuberculosis in Rio de Janeiro, the annual meeting of the Young President’s Organization in Sydney and, on the occasion of the World Day of Peace in 2011, before the International Olympic Committee. The title of Doctor Honoris Causa is awarded by four American universities, including the Dartmouth College, which has recently acquired the whole of the archives of his work.

World Press Photo 2018. The Nominees.

Over the years, the World Press Photo has become an institution for photojournalists.Thousands of images are submitted in different categories, Contemporary Issues, Environment, General News, Long-Term Projects, Nature, People, Sports, and Spot News.

Here are some of the very best in Black & White. For more information on the World Press Photo competition and exhibition, visit http://www.worldpressphoto.org/collection/photo/2018

Richard Tsong-Taatari. Star Tribune

John Thompson is embraced in St Anthony Village, Minnesota, USA, after speaking out at a memorial rally for his close friend Philando Castile, two days after police officer Jeronimo Yanez was acquitted of all charges in the shooting of Castile. In July 2016, Officer Yanez had pulled over Castile’s car in Falcon Heights Minnesota as it had a broken brake light. Castile, an African American man, handed over proof of insurance when asked, and informed the officer that he had a gun in the car. Police dashboard camera footage reveals that Yanez shouted, “Don’t pull it out,” and fired seven shots into the vehicle, fatally wounding Castile. Yanez was found not guilty of second degree manslaughter on 16 June 2017. Thompson was a high-profile presence at rallies following his friend’s death.

Kevin Frayer. Getty Images.

20 September 2017 A young refugee cries as he climbs on a truck distributing aid near the Balukhali refugee camp, Cox’s Bazar, Bangladesh.

Kevin Frayer. Getty Images.

2 October 2017 Minara Hassan and her husband Ekramul lie exhausted on the ground on the Bangladesh side of the Naf River, after fleeing their home in Maungdaw, Myanmar.

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