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Lior Yaakobi

Lior Yaakobi is a landscape photographer from Israel. He lived for a while in Boulder Colorado before moving back to his home country.

A few months ago, he gave us a long interview we published in Shades OF Grey Magazine N°5 with an extensive portfolio. We didn’t use some of his fantastic color images, so here they are for you to enjoy.

To read the full interview and discover the rest od his amazing image, visit https://shadesofgreymagazine.com/product/shades-of-grey-magazine-n5/

Shades Of Grey Fine ART Photography Magazine N°5

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The Jewish Cemetery / Prague

The Old Jewish Cemetery is not the first Jewish cemetery in Prague – its predecessor was so-called “Jewish Garden“ located in the area of present New Town of Prague. This cemetery was closed by order of King Wladislav II Jagello in 1478 because of complaints of Prague citizens. Later it disappeared under the streets of New Town. We know that the history of the Old Cemetery started before that, but the exact date when it was founded is unknown. The only clue is the oldest gravestone in the cemetery from 1439 which belongs to rabbi and poet Avigdor Kara.
Starting at the middle of the 15th century, the gravestones record is a continual time line of burials. The final gravestone is dated 1787; three years earlier, the enlightened sovereign Emperor Josef II had banned burials inside the city walls for hygienic reasons. Later Prague Jews used a cemetery in Žižkov, founded in the 17th century because of plague epidemic.
During the more than three centuries in which it was in active use, the cemetery continually struggled with the lack of space. Piety and respect for the deceased ancestors does not allow the Jews to abolish old graves. Only occasionally the Jewish Community was allowed to purchase grounds to expand the cemetery and so many times it had to gain space in other ways; if necessary, a new layer of soil was heaped up on the available area. For this reason, there are places where as many as twelve layers now exist. Thanks to this solution the older graves themselves remained intact. However, as new levels were added it was necessary either to lay over the gravestones associated with the older (and lower) graves to protect them, or else to elevate the stones to the new, higher surface. This explains the dense forest of gravestones that one sees today; many of them commemorate an individual who is buried several layers further down. This also explains why the surface of the cemetery is raised several meters higher than the surrounding streets; retaining walls are necessary to hold the soil and the graves in place.

Gravestones

There are two kinds of Jewish burial monuments (in Hebrew matzevot) – the older is a slab of wood or stone, basically rectangular, but with various endings at the top. Tumba (in Hebrew ohel – tent) appears later, in baroque times. It is generally more representative than the first mentioned kind and resembles a little house. Such tumbas commemorate on the cemetery for example Maharal or Mordecai Maisel.[1] Tumbas do not contain the remains; they are buried underneath in ground.
The oldest gravestones on Old Jewish cemetery are plain, yet very soon the number of ornaments (pilasters, volutes, false portals, etc.) began to increase. Most decorated gravestones come from 17th century. However, on every gravestone there are Hebrew letters that inform about the name of the deceased person and the date of his or her death or burial. Copious praise of deceased’ virtues appears beside brief eulogy (“of blessed memory”) in Renaissance time. From 16th century the gravestones characterize the deceased also through various symbols, hinting at the life, character, name or profession of the people.

The Wonders of Plotagraph Part 2

In the latest issue of Shades of Grey magazine, I tested the Plotagraph animation software. For this specific basic tutorial,  used  quite a simple image to process with only clouds and water moving.

But I wanted to challenge the software a little more by using a much more complex image, a volcano eruption with a lot of lava flowing both in the air and on the ground. By playing the video below, you will see the result is quite stunning as you can have  the exploading lava moving up and the ground lava going down.

Processing steps

Working on an image like this is quite easy with Plotagraph.

First I masked the bottom of the image with the Volcano structure to prevent it from moving.

Then I placed quite a lot of anchor poits as you can see in the image below. The anchor points are blocking the movement on the volcano top.

And at last I placed the animation points going up for the exploding lava, and going down for the ground lava.

I must mention it was done with the iPad app on an iPad Pro. I love using Plotagraph on the iPad more than using the onine app. This is because, the processing on the iPad is instantaneous and you don’t have to wait for the animation being processed on the server and rendered on your computer.

 

Image from unsplash.com

How to get Plotagraph

You have three choices when you sign up to Plotagraph.com.
The FREE version offers you 500Gb of cloud storage for your Plotagraphs. You can create an unlimited number of projects/animations and you have access to the Plotagraph basic tools. This is the perfect formula to start.
But as you will for sure get addicted, they offer a Pro Membership version of $19,99/month that will add all the Pro tools of the software, the HD resolution to your animations with some animation presets and effects, plus the audio, video and still overlays and1Tb of cloud storage.
And if you get really addicted and plan to use Plotagraph for your business, the Pro+ mambership of$29,99/month will let you go up to 2Tb of cloud storage, the 4K resolution and the Team collaboration tools.

Just go to https://plotagraphpro.com/buynow and sign-up.

IMAGE NATION PARIS

Image Nation Paris

From November 10th to 12th 2017, ImageNation meets Paris, the city that saw the birth of photography almost two centuries ago. Thanks to the many festivals and fairs which are frequently held in the French capital, Paris is, more than ever, the crossroads of the new trends. Over all, the Mois de la Photo and Paris Photo have seen attracting to themselves important private and institutional collectors, art enthusiasts and some of the most famous art gallery owners from all over the world. Along with this, during Paris Photo days, the city becomes an ideal stage for the photographic works of the most interesting international artists in dialogue with the audience.

MARTIN STRANKA​, Czech Republic / HENGKI KOENTJORO, Indonesia / ALEXANDER VINOGRADOV, Russia / GEMMY WOUD-BINNENDIJK, Netherlands / MOHAMMADREZA REZANIA, Iran / LUIS AGUILERA, Venezuela / SIMONE BETZ, Germany / ZUZU VALLA, Slovakia / MICHELE DURAZZI, Italy / SEAN MUNDY, Canada / ROSA FREI, Switzerland /MIRA NEDYALKOVA, Bulgaria / FANG TONG, China / ANNA AJTNER, Poland / MOHAMMAD RAHMAN, Bangladesh / KAZUMA OGAERI, Japan / MIRNA PAVLOVIC, Croatia / LUIGI QUARTA, Italy / MACIEK JASIK, Poland / ANNA TIHANYI, Hungary / PYGMALION KARATZAS, Greece / RODICA TANASE, Romania / STEFANIA SAMMARRO, Italy / JOVANA RIKALO, Serbia / ARTIOM KIREEV, Belarus / GERALD ARZT, Austria / ERIKA ZOLLI, Italy / XENIA LAU, Spain /SAMUKA MARINHO, Brazil / ANNA MONROE, Russia / ALESSANDRO CARLESCHI, Italy / ​CATALINA SOUR VASQUEZ, France / YOLANDA GARCIA, Spain / ANDREY SEMENOV, Russia /ENZO CRISPINO, Italy / PAWEL FRANIK, Poland / ANDRE’ GONÇALVES, Portugal / TINA SIGNESDOTTIR, Norway / HERR MERZI, Germany / MICHELE MAGLIO, Italy / MARIE LAIGNEAU, France / JOHN KOSMOPOULOS, Canada / MARYNA KHOMENKO, Ukraine / DARIO MARTINENGHI, Italy / ALEC MEDIEFF, France / FRANTISEK RERUCHA, Czech Republic /BIANCAMARIA MONTICELLI, Italy / PATRICIA DELMÉE, France / JONATHAN HIGBEE, Usa /MONIQUE ROODENBURG, Netherland / ANNIE TACITA, France / BRUNO CARLOS, Portugal /NATALIA ELENA MASSI, Italy / DANNY RICHARDSON, Jersey / YASMIN MUND, Australia

ImageNation Paris: Espace des Arts Sans Frontierès

44 Rue Bouret, Paris – Metro: Jaurès (Lines 2, 5, 7bis)

Vernissage: Friday, November 10th 2017, from 6pm / Vendredi 10 Novembre 2017, 18H

Open to public: 14.30 – 19.30 | Private opening: 09.00 – 13.00

To reserve a private view, please write to info@defactory.it

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